{"title":"Portraits","description":"\u003cp\u003eWorks depicting the human face and likeness, capturing character and personality.\u003c\/p\u003e","products":[{"product_id":"kandi-narsimlu-telangana-couple","title":"Telangana Couple","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"18x18 Inch","offer_id":45582325022806,"sku":"KANDI-NARSIMLU-TELANGANA-COUPLE","price":100000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-603.jpg?v=1788345222"},{"product_id":"kandi-narsimlu-telangana-couple-2","title":"Telangana Couple 2","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"18x18 Inch","offer_id":45582325055574,"sku":"KANDI-NARSIMLU-TELANGANA-COUPLE-2","price":100000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-604.jpg?v=1788345120"},{"product_id":"kandi-narsimlu-family","title":"Family","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"48x36 inch","offer_id":45582325088342,"sku":"KANDI-NARSIMLU-FAMILY","price":540000.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-591.jpg?v=1788344983"},{"product_id":"kandi-narsimlu-couple","title":"Couple","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"8x6x3","offer_id":45582325121110,"sku":"KANDI-NARSIMLU-COUPLE","price":120000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-M-24FM.jpg?v=1788344854"},{"product_id":"kandi-narsimlu-couple-2","title":"Couple 2","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"8x6x3","offer_id":45582325153878,"sku":"KANDI-NARSIMLU-COUPLE-2","price":120000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-M-26FM.jpg?v=1788344566"},{"product_id":"kandi-narsimlu-telangana-couple3","title":"Telangana Couple3","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"12x12 inch","offer_id":45582325186646,"sku":"KANDI-NARSIMLU-TELANGANA-COUPLE3","price":50000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-598_7951.jpg?v=1788344392"},{"product_id":"kandi-narsimlu-sisters","title":"Sisters","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"12x12 inch","offer_id":45582325219414,"sku":"KANDI-NARSIMLU-SISTERS","price":50000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-599.jpg?v=1788343682"},{"product_id":"kandi-narsimlu-lunch-box","title":"Lunch Box","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"36x18x2 inch","offer_id":45582325252182,"sku":"KANDI-NARSIMLU-LUNCH-BOX","price":405000.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-593.jpg?v=1788343548"},{"product_id":"kandi-narsimlu-couple3","title":"Couple3","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"H14xW8xD9 inch","offer_id":45582325448790,"sku":"KANDI-NARSIMLU-COUPLE3","price":350000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-SF-29FM.jpg?v=1788343384"},{"product_id":"kandi-narsimlu-couple4","title":"Couple4","description":"\u003cp\u003eI was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist.\nI have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. \nMy works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are.\nWith the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.\u003c\/p\u003e","brand":"Kandi Narsimlu","offers":[{"title":"H14xW8XD9 inch","offer_id":45582325514326,"sku":"KANDI-NARSIMLU-COUPLE4","price":350000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/KN-SF-28FM.jpg?v=1788343303"},{"product_id":"ramchandra-shivaji-kharatmal-pensive-grace-beauty-series","title":"Pensive Grace (Beauty Series)","description":"\u003cp\u003eThis striking artwork, titled \"Pensive Grace,\" invites you to explore the subtle strength of feminine introspection. The artist utilizes a sophisticated palette of moss greens and muted golds, allowing the detailed jewelry and patterned textile work to truly shine. Notice the elegant curve of the hand against the cheek, a universal symbol of deep thought. The abstract, swirling pattern in the background adds a contemporary textural layer to the traditional subject matter. It's a masterful blend of modern technique and classic Indian portraiture, offering a sophisticated focal point for any collector seeking depth and tranquility.\u003c\/p\u003e","brand":"Ramchandra Shivaji Kharatmal","offers":[{"title":"24”x24”","offer_id":45582328365142,"sku":"RAMCHANDRA-SHIVAJI-KHARATMAL-PENSIVE","price":84000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/381_25_FragranceofSilence_BeautySeries__24inchesX24inches_AcrylicOnCanvascopy.jpg?v=1787917566"},{"product_id":"ramchandra-shivaji-kharatmal-my-muse-and-the-moonlight-peacock-beauty-series","title":"My Muse and the Moonlight Peacock’,(beauty series)","description":"\u003cp\u003e\"In creating this piece, 'My Muse and the Moonlight Peacock,' I sought to weave together threads of inner beauty, traditional elegance, and the serene connection we share with the natural world. The central figure, my muse, embodies the quiet strength and grace I often witness in the women of my homeland. Her attire, rich in emerald greens and deep purples, reflects the vibrant tapestry of our culture, while her contemplative gaze hints at stories held deep within.\nThe majestic white peacock, a symbol of purity and beauty, stands as a silent companion, mirroring her poise. I've used mixed media to bring forth intricate textures and a play of light, allowing the gold and earthy tones in the background to embrace the figures. Through the delicate balance of color and form, I invite you to step into this moment of introspection, a celebration of heritage, and the enduring spirit of grace that inspires me.\"\u003c\/p\u003e","brand":"Ramchandra Shivaji Kharatmal","offers":[{"title":"30”X30”","offer_id":45582328561750,"sku":"RAMCHANDRA-SHIVAJI-KHARATMAL-MY-MUSE","price":132000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/IMG_0224.jpg?v=1787908302"},{"product_id":"ramchandra-shivaji-kharatmal-silent-bloom-beauty-series","title":"Silent Bloom (Beauty  Series)","description":"\u003cp\u003e“Silent Bloom” is a contemplative ode to the quiet strength and grace of rural womanhood. At the heart of the composition stands a woman in a striking red choli and rich indigo saree, depicted with a downcast gaze and a subtle curve in her posture—suggesting introspection, humility, and inner strength. Her back is turned to the viewer, yet her presence dominates the frame, inviting us into her world rather than offering herself to our gaze.\n\nThe golden mandala behind her head evokes both a rising sun and a divine aura, symbolizing enlightenment, fertility, and spiritual grounding. The vibrant green foliage and white lilies beneath her feet blend nature with femininity, purity, and renewal. These botanical elements aren’t mere background—they serve as metaphors for growth, beauty in silence, and the organic rhythm of rural life.\n\nFramed within an arched niche reminiscent of temple doorways or old haveli windows, the composition evokes timelessness. It feels both sacred and personal, like a memory preserved in stillness. The entire visual language balances traditional aesthetics with contemporary sensitivity, reflecting the artist’s nuanced understanding of cultural heritage and womanly poise.\n\nThis painting doesn’t merely portray a woman—it venerates her unspoken resilience, rooted in the soil, blossoming quietly like a lily under the sun.\u003c\/p\u003e","brand":"Ramchandra Shivaji Kharatmal","offers":[{"title":"54”X24”","offer_id":45582328594518,"sku":"RAMCHANDRA-SHIVAJI-KHARATMAL-SILENT-","price":189000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/IMG_4827.jpg?v=1787908023"},{"product_id":"sujata-achrekar-between-prayer-and-silence","title":"Between prayer and silence 2","description":"\u003cp\u003eThe powerful presence of the Goddess merges with a tranquil visage, representing strength, protection and the balance between fierce energy and inner stillness.\u003c\/p\u003e","brand":"Sujata Achrekar","offers":[{"title":"24x54 inches","offer_id":45582328725590,"sku":"SUJATA-ACHREKAR-BETWEEN-PRAYER-AND-S","price":600000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/f650bbee-e7f7-4ad5-a129-48c4f7738291_0d1fdf6b-cca7-4207-8472-8b77c2dcfa61.jpg?v=1787907408"},{"product_id":"m-i-shaikh-the-architect-of-equality","title":"The Architect of Equality","description":"\u003cp\u003eThis mixed-media portrait pays tribute to Dr. B. R. Ambedkar, one of the greatest visionaries in Indian history and the principal architect of the Indian Constitution. His portrait is constructed entirely from torn fragments of newspapers, historical documents, illustrations, and printed text, symbolizing how knowledge, ideas, struggle, and truth collectively shaped both the man and the nation.\n\nEach fragment represents a chapter of history, education, social justice, constitutional values, democracy and the relentless fight against inequality. Rather than presenting a conventional portrait, the artwork allows history itself to assemble Ambedkar's image, emphasizing that his legacy was written not merely in books, but in the lives of millions.\n\nThe torn layers reflect both the fractured social realities he confronted and the unity he envisioned through equality, education and constitutional rights. The composition invites viewers to look beyond the portrait and discover countless stories embedded within it, much like Ambedkar's enduring influence woven into the fabric of modern India.\u003c\/p\u003e","brand":"M. I. Shaikh","offers":[{"title":"20 X 26 (inches)","offer_id":45582328823894,"sku":"M-I-SHAIKH-THE-ARCHITECT-OF-EQUALITY","price":300000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/BallpointPensonPaper-12_20inchX26inch.jpg?v=1787840542"},{"product_id":"m-i-shaikh-fragments-of-identity-hussain-ii","title":"Fragments of Identity (Hussain-II)","description":"\u003cp\u003eThis mixed-media portrait is composed of layered newspaper clippings, printed texts, and torn paper fragments that converge to form a human figure. The work explores the complex relationship between identity, memory and collective history, suggesting that every individual is shaped by countless stories, experiences, and influences. Through its dynamic composition and expressive contrasts, the artwork reflects the fragmented yet interconnected nature of contemporary life.\u003c\/p\u003e","brand":"M. I. Shaikh","offers":[{"title":"20 X 26 (inches)","offer_id":45582328856662,"sku":"M-I-SHAIKH-FRAGMENTS-OF-IDENTITY-HUS","price":300000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/BallpointPensonPaper-13_20inchX26inch.jpg?v=1787840447"},{"product_id":"m-i-shaikh-through-my-eyes","title":"Through My Eyes","description":"\u003cp\u003eThrough My Eyes is a hyper-realistic self-portrait created entirely with blue ballpoint pen. Positioned behind the camera, the artist blurs the boundary between observer and subject, inviting viewers to experience the world from the creator's perspective. Every fold of fabric, subtle skin tone and reflective surface is meticulously rendered through thousands of layered pen strokes, demonstrating the remarkable precision and expressive range of the ballpoint pen. More than a portrait, the work is a reflection on observation, creativity and the enduring dialogue between the artist, the medium and the viewer.\u003c\/p\u003e","brand":"M. I. 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Thin red accent lines introduce a structured, modern geometric tension that draws the viewer's focus directly into the subject's intense, side-glancing expression.\u003c\/p\u003e","brand":"Abid Shaikh","offers":[{"title":"36x24 inches","offer_id":45726791336022,"sku":"ABID-SHAIKH-THE-THINKER","price":190000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/ChatGPTImageSep5_2026_05_17_36PM.png?v=1788959377"},{"product_id":"vinita-dasgupta-telling-tales-hepburn","title":"Telling Tales: Hepburn","description":"\u003cp\u003eA mixed-media portrait exploring identity and fractured selfhood. 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By placing myself as\nthe subject within this chaotic 'Scream'-inspired void, I\nam capturing that split second when solitude transforms\ninto an overpowering, resonant cry—a manifestation of\nthe 'Dead Space' of the human spirit.\u003c\/p\u003e","brand":"Ajit Shankar Raut","offers":[{"title":"15\"×16\"","offer_id":45724620816470,"sku":"AJIT-SHANKAR-RAUT-BOY-ON-THE-CHAIR","price":70000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/IMG_20260214_115125.jpg?v=1788947593"},{"product_id":"rohit-anant-gupta-inside-ravana-emotion-1","title":"Inside Ravana (Emotion - 1)","description":"\u003cp\u003eThis artwork presents Ravana as a symbol of the complex human mind. His ten faces represent different emotions, desires, thoughts, and inner conflicts that exist within every individual. 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This artwork is a celebration of art as play, and a personal reminder to never let go of that inner child.\u003c\/p\u003e","brand":"Rohit Anant Gupta","offers":[{"title":"14\" X 22\"","offer_id":45718949757014,"sku":"ROHIT-ANANT-GUPTA-ORIGAMI-OF-MEMORIE","price":40000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/4422\/8182\/files\/RohitG_origamiofmemories_charcoal_14X22inch_30000.jpg?v=1788867738"}],"url":"https:\/\/mumbaiarthouse.com\/collections\/portraits.oembed","provider":"Mumbai Art House","version":"1.0","type":"link"}