Collection: All Artworks

Beautiful Blue series Buddha painting. Including different type of texture on full canvas and contrast colors for best result.

Calm Batu (Child Monk) flowers series painting, including ‘Gayatri Mantra’ in Devnagari embossed calligraphy in the background with white flowers.

Beautiful Lord Shree Ganesha series painting, including Shree Ganesha Stotra ‘Vakratund mahakai surykoti samaprabh…’ & ‘Gayatri Mantra’ in Devnagari embossed calligraphy in the background.

'Raan' - an ode to mother earth My visual art vocabulary has, through the years, been appreciated by many connoisseurs, and clientele alike. I have expressed it through a series of my sketches, paintings, and sculptures. This time around, I am displaying my works in a slightly different context. The accent this time stands inspired by the village folks, their dwellings, their farms, the crop harvest, and the elements of nature. Of course I have given them an appearance which would seem somewhat embellished, due to which I can project the aesthetic appeal I sense they possess. I am certain that the viewers will surely admire the amiability that lies within the paintings. In this series, the motivation behind my paintings comes from the title 'Raan' and all the contexts that derive from it. The word 'Raan' evokes great affection and is one that touches my inner feelings. I have since childhood lived and experienced the village life. There are many aspects of this rural life that strike a chord. For instance, the field, its pastures, the stones, boulders, the foliage, the flora; et al. I have grown up living among all these, in a natural ambience as it were. Obviously, farming is a motif that is so close to my heart. Today, although I lead a rather urban and civic life, there is no doubt that I would like to go back to farming sometime in the future. The childhood memories and experiences of everyone manifest themselves in their lives ahead. Farming as such, being entirely dependent on the vascillations of nature, is at the behest of elements such as the sunshine, the air and most importantly, the rains. Its varying moods affect goodly or badly depending on their intensity; consequently and crucially affecting the survival of the farmer. I have closely observed and experienced that this unpredictability does not affect as much any other constituent in the social strata, as it does the farmer. These vagaries of nature have coloured my life intensely. The core of my paintings hence has turned out to essentially be 'the pictures of a rural life and the farmer'. I have tried to impress in my paintings, the apparent seasonal changes in nature, and thereby, the changing hue of the soil. This shift in the hues of the soil mesmerizes me, and has influenced in developing the colour scheme of my works in this series. The style of my paintings and sculpture, with a certain tonal brightness, ought to be pretty familiar to my viewers. In the current display though, the colours are derived from influences such as the village turf, soil; with all its hues and textures. I eagerly hope that this transformation in the colour scheme will definitely connect with my viewers. I find myself always inclined to project in my works, human figures involved in their simple daily acts, with the backdrop of nature. There is a modesty, a cadence in the actions of these human activities, and a grace in the elements of human life, which I have aspired to portray in my current exhibition. I sincerely desire, that you will connect pleasantly and whole heartedly with the glimpses of glorious memories of my life in a hamlet. Anand Panchal

*Raan'-an ode to mother earth My visual art vocabulary has, through the years, been appreciated by many connoisseurs, and clientele alike. I have expressed it through a series of my sketches, paintings, and sculptures. This time around, lam displaying my works in a slightly different context. The accent this time stands inspired by the village folks, their dwellings, their farms, the crop harvest, and the elements of nature. Of course have given them an appearance which would seem somewhat embellished, due to which I can project the aesthetic appeal I sense they possess. I am certain that the viewers will surely admire the amiability that lies within the paintings. In this series, the motivation behind my paintings comes from the title " Raan' and all the contexts that derive from it. The word 'Raan' evokes great affection and is one that touches my inner feelings. I have since childhood lived and experienced the village life. There are many aspects of this rural life that strike a chord. For instance, the field, its pastures, the stones, boulders, the foliage, the flora; et al. I have grown up living among all these, in a natural ambience as it were. Obviously, farming is a motif that is so close to my heart. Today, although I lead a rather urban and civic life. there is no doubt that I would like to go back to farming sometime in the future. The childhood memories and experiences of everyone manifest themselves in their lives ahead. Farming as such, being entirely dependent on the vascillations of nature, is at the behest of elements such as the sunshine, the air and most importanly, the rains. Its varying moods affect goodly or badly depending on their intensity: consequently and crucially affecting the survival of the farmer. I have closely observed and experienced that this unpredictability does not affect as much any other constituent in the social strata, as it does the farmer. These vagaries of nature have coloured my life intensely. The core of my paintings hence has turned out to essentially be 'the pictures of a rural life and the farmer" I have tried to impress in my paintings, the apparent seasonal changes in nature, and thereby, the changing hue of the soil. This shift in the hues of the soil mesmerizes me, and has influenced in developing the colour scheme of my works in this series. The style of my paintings and sculpture, with a certain tonal brightness, ought to be pretty familiar to my viewers. In the current display though, the colours are derived from influences such as the village turf, soil; with all its hues and textures. I eagerly hope that this transformation in the colour scheme will definitely connect with my viewers. I find myself always inclined to project in my works, human figures involved in their simple daily acts, with the backdrop of nature. There is a modesty, a cadence in the actions of these human activities, and a grace in the elements of human life, which I have aspired to portray in my current exhibition. I sincerely desire, that you will connect pleasantly and whole heartedly with the glimpses of glorious memories of my life in a hamlet. Anand

*Raan'-an ode to mother earth My visual art vocabulary has, through the years, been appreciated by many connoisseurs, and clientele alike. I have expressed it through a series of my sketches, paintings, and sculptures. This time around, lam displaying my works in a slightly different context. The accent this time stands inspired by the village folks, their dwellings, their farms, the crop harvest, and the elements of nature. Of course have given them an appearance which would seem somewhat embellished, due to which I can project the aesthetic appeal I sense they possess. I am certain that the viewers will surely admire the amiability that lies within the paintings. In this series, the motivation behind my paintings comes from the title " Raan' and all the contexts that derive from it. The word 'Raan' evokes great affection and is one that touches my inner feelings. I have since childhood lived and experienced the village life. There are many aspects of this rural life that strike a chord. For instance, the field, its pastures, the stones, boulders, the foliage, the flora; et al. I have grown up living among all these, in a natural ambience as it were. Obviously, farming is a motif that is so close to my heart. Today, although I lead a rather urban and civic life. there is no doubt that I would like to go back to farming sometime in the future. The childhood memories and experiences of everyone manifest themselves in their lives ahead. Farming as such, being entirely dependent on the vascillations of nature, is at the behest of elements such as the sunshine, the air and most importanly, the rains. Its varying moods affect goodly or badly depending on their intensity: consequently and crucially affecting the survival of the farmer. I have closely observed and experienced that this unpredictability does not affect as much any other constituent in the social strata, as it does the farmer. These vagaries of nature have coloured my life intensely. The core of my paintings hence has turned out to essentially be 'the pictures of a rural life and the farmer" I have tried to impress in my paintings, the apparent seasonal changes in nature, and thereby, the changing hue of the soil. This shift in the hues of the soil mesmerizes me, and has influenced in developing the colour scheme of my works in this series. The style of my paintings and sculpture, with a certain tonal brightness, ought to be pretty familiar to my viewers. In the current display though, the colours are derived from influences such as the village turf, soil; with all its hues and textures. I eagerly hope that this transformation in the colour scheme will definitely connect with my viewers. I find myself always inclined to project in my works, human figures involved in their simple daily acts, with the backdrop of nature. There is a modesty, a cadence in the actions of these human activities, and a grace in the elements of human life, which I have aspired to portray in my current exhibition. I sincerely desire, that you will connect pleasantly and whole heartedly with the glimpses of glorious memories of my life in a hamlet. Anand

*Raan'-an ode to mother earth My visual art vocabulary has, through the years, been appreciated by many connoisseurs, and clientele alike. I have expressed it through a series of my sketches, paintings, and sculptures. This time around, lam displaying my works in a slightly different context. The accent this time stands inspired by the village folks, their dwellings, their farms, the crop harvest, and the elements of nature. Of course have given them an appearance which would seem somewhat embellished, due to which I can project the aesthetic appeal I sense they possess. I am certain that the viewers will surely admire the amiability that lies within the paintings. In this series, the motivation behind my paintings comes from the title " Raan' and all the contexts that derive from it. The word 'Raan' evokes great affection and is one that touches my inner feelings. I have since childhood lived and experienced the village life. There are many aspects of this rural life that strike a chord. For instance, the field, its pastures, the stones, boulders, the foliage, the flora; et al. I have grown up living among all these, in a natural ambience as it were. Obviously, farming is a motif that is so close to my heart. Today, although I lead a rather urban and civic life. there is no doubt that I would like to go back to farming sometime in the future. The childhood memories and experiences of everyone manifest themselves in their lives ahead. Farming as such, being entirely dependent on the vascillations of nature, is at the behest of elements such as the sunshine, the air and most importanly, the rains. Its varying moods affect goodly or badly depending on their intensity: consequently and crucially affecting the survival of the farmer. I have closely observed and experienced that this unpredictability does not affect as much any other constituent in the social strata, as it does the farmer. These vagaries of nature have coloured my life intensely. The core of my paintings hence has turned out to essentially be 'the pictures of a rural life and the farmer" I have tried to impress in my paintings, the apparent seasonal changes in nature, and thereby, the changing hue of the soil. This shift in the hues of the soil mesmerizes me, and has influenced in developing the colour scheme of my works in this series. The style of my paintings and sculpture, with a certain tonal brightness, ought to be pretty familiar to my viewers. In the current display though, the colours are derived from influences such as the village turf, soil; with all its hues and textures. I eagerly hope that this transformation in the colour scheme will definitely connect with my viewers. I find myself always inclined to project in my works, human figures involved in their simple daily acts, with the backdrop of nature. There is a modesty, a cadence in the actions of these human activities, and a grace in the elements of human life, which I have aspired to portray in my current exhibition. I sincerely desire, that you will connect pleasantly and whole heartedly with the glimpses of glorious memories of my life in a hamlet. Anand

https://drive.google.com/file/d/1nV7fM4H_pRsV5PziuFiFuXTptmT4MT_3/view?usp=drivesdk

A subjective description of Bharat in the style of my new series titled "Night"

first artwork in the newly created and displayed series known as "Night"

fourth artwork in the newly created and displayed series known as "Night"

eighteenth artwork in the newly created and displayed series known as "Night"

fourteenth artwork in the newly created and displayed series known as "Night"

fifth artwork in the newly created and displayed series known as "Night"

This portrait is a tribute to the celebrated poet, lyricist and writer Javed Akhtar, whose words have inspired generations through literature, cinema and social thought. Unlike a conventional portrait, this artwork explores the relationship between language and imagination by merging the discipline of ballpoint pen realism with the spontaneity of watercolor-inspired abstraction. The carefully rendered figure emerges from a vibrant field of flowing colours, splashes and organic forms that symbolise ideas taking shape before they become poetry. The contrast between the controlled precision of the portrait and the freedom of the surrounding washes reflects the creative process itself, where structure meets emotion and thought transforms into expression. Executed entirely with ballpoint pen, the artwork challenges the perceived limitations of the medium while creating the visual illusion of watercolor. This fusion mirrors Javed Akhtar's own ability to blend simplicity with profound meaning, where every word carries emotion beyond its literal form. Where Words Become Colours is a celebration of creativity, imagination and the enduring power of art and literature to give colour to human experience.

In every gallery, there are two kinds of masterpieces, the artworks displayed on the walls and the people who stand before them, quietly interpreting their meaning. This ballpoint pen artwork captures that intimate relationship by portraying a lone visitor immersed in contemplation, hands folded behind his back, completely absorbed in the silent conversation between himself and the paintings. Rendered entirely in blue ballpoint pen, the composition transforms an ordinary gallery visit into a meditation on observation itself. The viewer studies the artwork, while unknowingly becoming part of another artist's composition. This layered perspective blurs the boundary between artist, artwork and audience, reminding us that every act of looking is also an act of participation. The restrained posture, minimal surroundings and careful realism create a sense of stillness, allowing the viewer to pause and reflect. The piece celebrates curiosity, patience and the quiet moments in which art speaks without words. Ultimately, The Silent Observer suggests that the true value of art lies not only in what hangs on the wall, but in the thoughts, emotions, and personal reflections it awakens within those who stand before it.

Through My Eyes is a hyper-realistic self-portrait created entirely with blue ballpoint pen. Positioned behind the camera, the artist blurs the boundary between observer and subject, inviting viewers to experience the world from the creator's perspective. Every fold of fabric, subtle skin tone and reflective surface is meticulously rendered through thousands of layered pen strokes, demonstrating the remarkable precision and expressive range of the ballpoint pen. More than a portrait, the work is a reflection on observation, creativity and the enduring dialogue between the artist, the medium and the viewer.

Created entirely with ballpoint pens, this artwork portrays Mumbai's historic BMC Headquarters through a carefully composed architectural frame. Intricate line work and delicate tonal variations celebrate the monument's Gothic Revival grandeur while highlighting its enduring presence in the city's architectural and cultural landscape. The composition invites viewers to rediscover a familiar landmark through the precision and expressive depth of ballpoint pen artistry.

This artwork captures a quiet street near the iconic Bombay Stock Exchange, where Mumbai's historic architecture stands in dialogue with its modern financial skyline. The composition reflects a city suspended between memory and ambition, preserving its rich heritage while embracing constant transformation. Executed entirely with blue ballpoint pen, every line, texture and tonal transition is meticulously rendered to celebrate the extraordinary depth achievable through an ordinary writing instrument. More than a cityscape, the work is a meditation on Mumbai's enduring spirit, a place where yesterday's legacy continues to shape tomorrow's dreams.

Gateway to Eternity Rendered entirely with ballpoint pen, this artwork pays tribute to the iconic Gateway of India, one of Mumbai's most celebrated architectural landmarks. Through meticulous line work, layered textures and subtle tonal gradations, the drawing captures the monument's grandeur alongside the everyday rhythm of the city. The gathering of pigeons and visitors adds life and movement, transforming a historic structure into a living symbol of culture, memory and human connection. This work reflects the enduring beauty of Mumbai while showcasing the extraordinary precision and expressive potential of the humble ballpoint pen.