Collection: All Artworks

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

I was born and Grownup in Kaslabad, Siddipet district of Telangana,INDIA. My interest in art began very unexpectedly with the drawings I made for my science class. A teacher has discovered my talent, and I have always found myself more interested in drawing and painting than in pursuing my studies. By the time I was in the tenth grade, I was a signboard artist. I have kept a very grounded approach to my art, using the folk and rural themes with a contemporary touch, drawing attention to the delicate expressions, clothing, jewelry, and lifestyle of my subjects. My paintings were influenced by the minimalist lines and spare style, typical of animation too. The geometric style which often appears in my work is a reflection of that part of my career, during my initial days. My works exemplify a group of women and sometimes men immersed in their routine work and leisure activities. The drapery designs and motives add a sort of movement and speed. As far as the colors I use in my paintings are concerned, the villagers worship many local gods and each god has different colored skin. I see the village people as innocent and feel the face of spirit reflected in them. Therefore, I like to use different colors to portray the faces of the villagers. I don`t deliberately mix colors or use too much texturing, because I think the simplicity reflects the kind of people my subjects are. With the increasing fondness for neutral fashion trends, the village's youngsters seldom indulge in traditional styles. Consequently, I actively participate in rejuvenating the village's charm, I recall. I feel my job is to record the story of my culture and tell their stories. I use art to keep the community`s culture alive and that is what I see as my greatest motivating force. I`m also told that my paintings have a range and that`s only because these are my people and this is my culture. I get a lot of joy and satisfaction from painting my culture.

My paintings are created in a joyful, vibrant, and celebratory spirit. Through dynamic compositions and expressive forms, I aim to convey happiness, positive energy, and a sense of spiritual harmony. Much of my work is inspired by Indian mythology, where I reinterpret timeless stories such as the sacred relationship between Shiva and Nandi, Samudra Manthan, the creation of Lord Ganesha, and other symbolic narratives. Rather than simply illustrating these stories, I present them through my own contemporary visual language, highlighting their philosophical meaning while expressing them with movement, colour, and emotion. One of the distinctive features of my work is the recurring sense of dance and celebration. Whether portraying Nandi, divine figures, or mythological scenes, I strive to create compositions that radiate life, rhythm, and optimism. Over the years, I have developed my own unique artistic style and visual identity, blending vibrant colours, contemporary aesthetics, and India’s rich mythological heritage to create artworks that are both meaningful and instantly recognizable.

My paintings are created in a joyful, vibrant, and celebratory spirit. Through dynamic compositions and expressive forms, I aim to convey happiness, positive energy, and a sense of spiritual harmony. Much of my work is inspired by Indian mythology, where I reinterpret timeless stories such as the sacred relationship between Shiva and Nandi, Samudra Manthan, the creation of Lord Ganesha, and other symbolic narratives. Rather than simply illustrating these stories, I present them through my own contemporary visual language, highlighting their philosophical meaning while expressing them with movement, colour, and emotion. One of the distinctive features of my work is the recurring sense of dance and celebration. Whether portraying Nandi, divine figures, or mythological scenes, I strive to create compositions that radiate life, rhythm, and optimism. Over the years, I have developed my own unique artistic style and visual identity, blending vibrant colours, contemporary aesthetics, and India’s rich mythological heritage to create artworks that are both meaningful and instantly recognizable.

This artwork features Nandi, the sacred bull of Lord Shiva, in a mythological and philosophical setting. The composition is inspired by the timeless bond between Nandi and Shiva. Nandi is shown waiting patiently outside Lord Shiva’s temple, devotedly anticipating His arrival. The moment symbolizes unwavering faith, devotion, and the joy of divine companionship, as Nandi eagerly awaits the chance to dance with Lord Shiva. Through this painting, I have portrayed both the spiritual and emotional essence of their eternal connection.

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A expressive charcoal sketch capturing the raw power and intensity of a charging bull with dramatic, sweeping strokes.

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