Collection: Devotional

In every gallery, there are two kinds of masterpieces, the artworks displayed on the walls and the people who stand before them, quietly interpreting their meaning. This ballpoint pen artwork captures that intimate relationship by portraying a lone visitor immersed in contemplation, hands folded behind his back, completely absorbed in the silent conversation between himself and the paintings. Rendered entirely in blue ballpoint pen, the composition transforms an ordinary gallery visit into a meditation on observation itself. The viewer studies the artwork, while unknowingly becoming part of another artist's composition. This layered perspective blurs the boundary between artist, artwork and audience, reminding us that every act of looking is also an act of participation. The restrained posture, minimal surroundings and careful realism create a sense of stillness, allowing the viewer to pause and reflect. The piece celebrates curiosity, patience and the quiet moments in which art speaks without words. Ultimately, The Silent Observer suggests that the true value of art lies not only in what hangs on the wall, but in the thoughts, emotions, and personal reflections it awakens within those who stand before it.

This artwork captures a quiet street near the iconic Bombay Stock Exchange, where Mumbai's historic architecture stands in dialogue with its modern financial skyline. The composition reflects a city suspended between memory and ambition, preserving its rich heritage while embracing constant transformation. Executed entirely with blue ballpoint pen, every line, texture and tonal transition is meticulously rendered to celebrate the extraordinary depth achievable through an ordinary writing instrument. More than a cityscape, the work is a meditation on Mumbai's enduring spirit, a place where yesterday's legacy continues to shape tomorrow's dreams.

Inspired by Lord Vishnu, this artwork reflects devotion, purity and the blossoming of consciousness through love, compassion and divine grace.

The powerful presence of the Goddess merges with a tranquil visage, representing strength, protection and the balance between fierce energy and inner stillness.

A vibrant composition where bold colors and sacred imagery come together to celebrate the harmony of meditation, joy, and universal energy.

A serene divine face emerges from layers of sacred scriptures and ancient motifs, symbolizing inner peace, wisdom and spiritual awakening.

“Silent Bloom” is a contemplative ode to the quiet strength and grace of rural womanhood. At the heart of the composition stands a woman in a striking red choli and rich indigo saree, depicted with a downcast gaze and a subtle curve in her posture—suggesting introspection, humility, and inner strength. Her back is turned to the viewer, yet her presence dominates the frame, inviting us into her world rather than offering herself to our gaze. The golden mandala behind her head evokes both a rising sun and a divine aura, symbolizing enlightenment, fertility, and spiritual grounding. The vibrant green foliage and white lilies beneath her feet blend nature with femininity, purity, and renewal. These botanical elements aren’t mere background—they serve as metaphors for growth, beauty in silence, and the organic rhythm of rural life. Framed within an arched niche reminiscent of temple doorways or old haveli windows, the composition evokes timelessness. It feels both sacred and personal, like a memory preserved in stillness. The entire visual language balances traditional aesthetics with contemporary sensitivity, reflecting the artist’s nuanced understanding of cultural heritage and womanly poise. This painting doesn’t merely portray a woman—it venerates her unspoken resilience, rooted in the soil, blossoming quietly like a lily under the sun.

This exquisite diptych, titled "Art Nouveau Devi," is a heartfelt tribute to the legendary artist Alphonse Mucha. It is a stunning fusion of Mucha's distinct Art Nouveau style and my own artistic vision. This work is not merely a combination of two different styles but a bridge that connects the rich traditions of Indian and Western art. The grace of the female figures, their flowing lines, and the intricate, decorative detailing are a clear homage to the Art Nouveau movement. This is beautifully contrasted with and complemented by their traditional Indian attire and accessories, grounding the ethereal forms in a familiar cultural context. Through this piece, I aimed to transcend artistic boundaries, creating a unique and harmonious blend of beauty and culture that celebrates the divine feminine across continents.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

A vibrant painting of Varaha Avatar, the boar incarnation of Lord Vishnu. A powerful reminder that even in times of chaos, hope, strength, and divine wisdom can uplift the world and restore harmony.

The owl is associated with wisdom, keen observation, and the ability to see clearly in the dark. These qualities are seen as important for navigating the complexities of life and achieving success, which aligns with the blessings of prosperity and fortune that Goddess Lakshmi bestows.