Collection: Paintings

This painting is a masterful convergence of contemporary realism and the timeless elegance of the Indian Miniature tradition. The work is structured like a vertical manuscript painting, with the central subject framed by intricate borders and flat, brightly coloured architectural planes, reminiscent of Mughal or Rajasthani Ragamala series. The artist employs the miniature aesthetic through the use of rich, saturated colours, meticulous detail in the subject's shringar (adornment), and the crisp delineation of space. The figure's introspective pose, holding the symbolic lotus, captures a bhava (emotional state) often central to the Miniature tradition. By merging these classical visual elements with a modern sensibility, the painting creates a 'New Ragamala,' celebrating the enduring power of Indian pictorial history.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

My paintings are mostly of village life. I depict houses, human figures at some places & trees appearing here and there. Some paintings have a temple and human forms sitting on the steps of a temple. I have tried to create my artworks with many subjects like houses in different colour schemes. My most prominently used medium is acrylic. My colour palette consists of greens, yellows, blue and reds each setting a mood in my paintings. I am experimenting in this subject and wish to further improve on it.

A vibrant painting of Varaha Avatar, the boar incarnation of Lord Vishnu. A powerful reminder that even in times of chaos, hope, strength, and divine wisdom can uplift the world and restore harmony.

These birds are known for their lifelong partnerships. Swans have been a symbol of grace, beauty, and purity for centuries. They are often featured in mythology, folklore, and art.

This painting beautifully captures the harmony between women, nature, and wisdom. The serene expressions, intricate floral motifs, and the symbolic owl create a sense of peace, balance, and quiet strength. Its rich earthy and blue tones evoke timeless beauty, inviting viewers to reflect on the deep connection between humanity and the natural world.

The owl is associated with wisdom, keen observation, and the ability to see clearly in the dark. These qualities are seen as important for navigating the complexities of life and achieving success, which aligns with the blessings of prosperity and fortune that Goddess Lakshmi bestows.

Owls are an important part of the ecosystem. They choose a partner and stick with them for a breeding season, or even for their entire lives! This commitment is especially strong for owls that establish and fiercely defend territories year after year.

Darbhanga & Dashashwamedh Ghats Darbhanga Ghat, with its regal palace and carved stone steps, reflects the grandeur of heritage along the Ganga. Beside it, Dashashwamedh Ghat pulses with devotion, alive with rituals and the famed Ganga Aarti. Together they embody Varanasi’s spirit—architectural splendour and living faith in harmony.

Man Mandir Ghat, with its grand architecture, stands as one of Varanasi’s finest heritage sites. Around its historic arches and stone steps, sants move with quiet grace, filling the space with spiritual vibrations. My work seeks to reflect this union of architectural splendour and living faith.

Crawford Market, with its grand colonial design, bustles with trade and movement. Inside, porters labour with quiet strength, carrying goods through the lively stalls. My work reflects this blend of heritage, human effort, and the city’s enduring spirit.

Assi Ghat is a place of calm devotion, where pilgrims gather for prayer and ritual as the Ganga reflects centuries of faith. A great banyan tree shelters a small temple below, its shadow cast upon the ground, with roots and shade adding to the ghat’s timeless sanctity. My work seeks to capture this harmony of nature, worship, and heritage.