Collection: Abstract

Zodiac Series - Leo

Zodiac Series - Cancer

Zodiac Series - Libra

Zodiac Series - Aries

Zodiac Series - Virgo

This installation was inspired by Great author Franz Kafka’s writing “ The metamorphosis ” the story made me dwell into the world of Kaka’s creative writing, and I was like let's bring it to the live, my Thoughts behind this was that everyone in their life at some point have felt unproductiveness or the phase where we are not able to see our future ahead and not able to decide anything at the moment at this time we are closely similar to that cockroach lying on the back, In this situation it experience the behavioural changes in society and its own family towards it. And this is how I was able to create an installation out of it.

The painting explores the hidden beast within the human mind. Multiple faces and intense expressions represent anger, frustration, fear, and conflicting emotions that we often conceal beneath a calm exterior. The work reflects the struggle between self-control and the darker impulses within us.

Thise series investigates 'Dead Space' through a more abstract lens, where human forms and classical fragments emerge from dense layers of pigment. These works treat the canvas as a site of psychological debris, blending historical remnants with contemporary stillness. The heavy textures signify the weight of existence, while the obscured figures represent a silent, resilient presence thriving within the pressurized vacuum of solitude.

This is a journey from the outer world toward the boundless silence within one's own inner self. Every form of nature holds a distinct magic. 'Dead Leaves' are not merely debris detached from a tree; they are symbols of nature's sacrifice and transformation. This portrait painting reveals the intricate layers of the human mind. Just as dry leaves fall, blend into the earth, and fertilize the soil, our old memories and experiences build the very foundation of our personality.In nature, the falling of leaves is not death, but a process of rejuvenation. Similarly, old age or memories that seem 'dead' are actually focal points of wisdom. The 'aged face' seen here is not just a symbol of years passed, but a mirror to the subconscious mind—rich with experience and a testament to the journey of time.The wrinkles on the face are like the veins of 'dried leaves,' storing a lifetime of struggle and peace. Dead leaves teach us that even in death, there can be the vibrant colors of life.Those sculptures are like 'Dead Leaves'—no longer green, yet they are the ones that once gave shape to our lives. In this way, having the elderly face at the center represents the 'Self,' while the surrounding statues represent 'Societal memories' (social or familial memories).

In this body of work, I use geometric forms—pyramids, cubes, cones, stair-like structures—as metaphors for individuality and coexistence. Each form holds its own identity, yet together they create a larger rhythm, a fragile harmony that is both tense and beautiful. The stark interplay of black, white, and grey against bold red becomes a visual language of confrontation and connection, reminding us that unity is never effortless, but always necessary. At a time when forces of division and fragmentation dominate, I see the act of being together as a form of resistance. These paintings celebrate unity not as perfection, but as a deliberate and creative choice—an ongoing rhythm we must keep building, where difference itself becomes the foundation of wholeness

In this body of work, I use geometric forms—pyramids, cubes, cones, stair-like structures—as metaphors for individuality and coexistence. Each form holds its own identity, yet together they create a larger rhythm, a fragile harmony that is both tense and beautiful. The stark interplay of black, white, and grey against bold red becomes a visual language of confrontation and connection, reminding us that unity is never effortless, but always necessary. At a time when forces of division and fragmentation dominate, I see the act of being together as a form of resistance. These paintings celebrate unity not as perfection, but as a deliberate and creative choice—an ongoing rhythm we must keep building, where difference itself becomes the foundation of wholeness

In this body of work, I use geometric forms—pyramids, cubes, cones, stair-like structures—as metaphors for individuality and coexistence. Each form holds its own identity, yet together they create a larger rhythm, a fragile harmony that is both tense and beautiful. The stark interplay of black, white, and grey against bold red becomes a visual language of confrontation and connection, reminding us that unity is never effortless, but always necessary. At a time when forces of division and fragmentation dominate, I see the act of being together as a form of resistance. These paintings celebrate unity not as perfection, but as a deliberate and creative choice—an ongoing rhythm we must keep building, where difference itself becomes the foundation of wholeness

The Guardian of Harmony explores the delicate relationship between nature, identity, and humanity's responsibility toward the living world. At the heart of the composition stands the majestic peacock—India's national bird—symbolizing beauty, dignity, resilience, and the spirit of the nation. Behind it, a vibrant red sun evokes both the cycle of life and a sense of awakening. The architectural grid filled with colorful birds represents the diversity of life, suggesting that every species has a rightful place in our shared world. The flowing forms of the Indian tricolour reinforce the idea that true patriotism extends beyond borders—it includes protecting the natural heritage that defines our identity. Above, the peacock feather expands into rhythmic golden lines, creating an infinite pattern that symbolizes harmony, interconnectedness, and the unseen energy that unites all living beings. Through a balance of realism and geometric abstraction, this painting invites viewers to reflect on coexistence, ecological balance, and the freedom of every creature. It is a celebration of India's rich biodiversity and a reminder that the future of our nation is inseparable from the future of its natural world.

"Every human being carries an unseen treasure—dreams, resilience, imagination, and untapped potential. Yet these treasures often remain concealed beneath the weight of survival." In Hidden Treasure Box, the central figure of a woman carrying both the burden of livelihood and the responsibility of motherhood becomes a symbol of silent strength. Rendered primarily in monochrome, she represents the countless individuals whose lives are defined by endurance rather than recognition. The child resting on her back embodies continuity, hope, and the future carried through sacrifice. Suspended around her are vividly coloured geometric forms—cubes, pyramids, and prisms—that function as metaphors for hidden possibilities. These shapes resemble unopened boxes of knowledge, creativity, opportunity, and inner wealth waiting to be discovered. Their bold colours sharply contrast with the subdued realism of the figures, suggesting that while the external world is filled with potential, access to it is often shaped by circumstance. The brick-patterned background evokes the structures of society—boundaries, systems, and invisible walls that both support and restrict human aspirations. The shadow cast by the woman introduces another layer of meaning, hinting at the unseen identity within every individual: the dreams, memories, and aspirations that remain hidden beneath everyday existence. Rather than portraying hardship alone, Hidden Treasure Box speaks of human dignity and the quiet abundance that exists within every life. It invites viewers to look beyond appearances and recognise that the greatest treasures are rarely material—they are found in resilience, compassion, imagination, and the limitless potential concealed within the human spirit. "The greatest treasure is not what we possess, but what remains undiscovered within us"

Soft Land XII explores the interplay of light, form, and tactile abstraction through fluid folds reminiscent of illuminated silk or undulating topographical terrain. Deep teal and muted slate tones wrap around a radiant, warm glowing core of amber, coral, and soft gold, creating an inviting sense of internal warmth and quiet depth. The soft gradients and sculpted contours blur the line between fabric and landscape, offering an immersive, contemplative atmosphere that invites viewers to pause and explore its subtle sensory dimensions.

This painting explores the symbolic presence of the peacock as a metaphor for awareness, beauty, ego, and spiritual awakening. Positioned centrally against a hypnotic field of flowing linear patterns, the peacock appears both majestic and introspective — almost suspended between reality and illusion. The vibrant green and golden lines create a rhythmic movement across the surface, resembling energy waves, fingerprints, or pathways of consciousness. At the top center, the solitary peacock feather eye acts as a spiritual symbol — suggesting the “third eye,” inner vision, and the unseen force that silently observes everything. The clouds above introduce a contrast between the earthly and the divine, grounding the composition in both nature and transcendence. The peacock itself is painted in intense blues and deep iridescent tones, representing pride, identity, and self-expression. Yet despite its grandeur, the bird stands alone in stillness, inviting the viewer to question whether true beauty lies in appearance or in awareness. Through this work, I attempt to merge ornamental aesthetics with psychological and spiritual symbolism, creating a visual space where nature becomes a reflection of the inner self.

Zodiac Series - Saggitarrius

"I use the butterfly as a symbol of happiness, and the negative space as vibrations created with thin linear lines in a circular pattern to achieve optical illusions and movement. The circular form holds the vision together, which I call 'Happy Vibration.' My goal is to bring happiness to society through my art."

The timeless ghats of Banaras portrayed through a harmonious blend of color, light, and abstract forms.